Tag-arkiv: costume research

“inside out – outside in”

At the immersive days in november 2022 composer Yann Coppier and I in our presentation “inside out – outside in” reflected on how world-costume and sound can co-create immersive experiences. One of our questions are how does Yann compose textile and how Charlotte designs sound – or – how does sound inform textile and how does textile inform sound?

In the presentation we immersed ourselves in word-costume or entalgled through spatial textiled-costume.

During the talk the audience engaged and tangled with us – which became playful embodied explorations.

Critical Costume 2022

I am so please to be selected to participate with the paper “Ethical Dilemmas of listening through and with costume” and the video “Costume connections” at Critical Costume 2022.

Video abstract: This Critical Costume exhibition presentation derives from the twelve-hour costume-based ‘performative-walk’ Community Walk (2020). The frame for Community Walk was a bright yellow costume that physically connected two wearers. In Community Walk I, the researcher and costume designer, placed myself ‘in the centre’ of the co-wearing entanglements. For twelve hours I co-wore the costume in the central area of Copenhagen, DK connected to twelve different co-wearers. One hour with each co-wearing participant. In the video I share some of the values that are the foundation for my artistic practice and research – hence, for this project. I unfold aspects of the co-wearing experience. For example, that the costume orientated the co-wearers towards each other and that they as a connected pair had to navigate and negotiate the costume, by-passing spectator(s), and urban environment. 



The video

AweAre – an embodied explorative workshop

At the PARSE conference I introduced the concept of co-costuming by inviting the participant to wear, explore and reflect on the bodily effects of costumes that connects two wearers. As researcher, I asked the participants to confront the ethically dimensions of the co-costumed experience (costumes that I produced and impose on wearers) that potentially was quite playful and, at the same time, bodily and socially restricted and/or exposeed the co-wearers.